Death/Control Denied mastermind Chuck Schuldiner, often cited
as the father of death metal, succumbed to cancer on December
13, 2001, a very dark day in metaldom. What he leaves behind on
this mortal coil is staggering, though: seven blindingly technical
studio albums that have succinctly defined the genre and (most
of which) have stood head-and-shoulders above the growling death-metal
hordes - not to forget putting the "death" in death
metal by reserving the Death moniker before anyone else.
While covering mostly newer material (half the tracks are taken
from '95's Symbolic and '98's Sound Of Perseverance), Live In
L.A. does give some spotty credence to Death's back catalog (two
tracks each from '91's Human and '93's Individual Thought Patterns,
and one each from '87's Scream Bloody Gore and '88's Leprosy).
Brilliant takes on "Flesh And The Power It Holds" and
"Scavenger Of Human Sorrow" (both from The Sound Of
Perseverance) are numbingly grand thrash, with bassist Scott Clendenin
and guitarist Shannon Hamm trading licks like Slayer/Sadus of
yore, while "Empty Words" (from Symbolic) gets an Iron
Maiden-meets-Cynic fretboard treatment. Schuldiner even tacks
on a metal Charlie's Angels theme-song intro to live staple "Pull
The Plug." The sound quality is crystal (mountain)-clear,
but Richard Christy's incredible drums are too up front in the
mix, which tends to drown out every other instrument: the newer
"Spirit Crusher" is the best example of this misfortune.
(Methinks that NBA scrambled to get a live Death recording released
when they first heard about his cancer, hence the poor production
- which could explain the "Raw" subtitle.) Ironically,
Schuldiner's own comments to the crowd about having to cut the
set short by a couple of songs near the end may explain the omission
of anything from '90's Spiritual Healing album.
Still, Live In L.A. is a worthy addition to the Death canon, even
if it's simply to hear Schuldiner with arguably the band's best
line-up stretching out in a live setting and attempting to nail
all their studio wizardry onstage. Do they succeed? You be the
judge.
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